To get the most from your violin, there are a variety of things to look for. Here are some of our top tips:
1. String width
The width of the strings (how wide the strings are relative to one another) is also important for good sound. If your strings are a little wider than you would like them to be, you should probably try to find a bow with which you are comfortable and comfortable with playing a certain distance. If you are working on a piano, for example, you want your strings a bit more spread (around 24″, 26 or 30″). So, if you are playing a concerto with a wider instrument, you would probably not want to get an instrument with narrower strings (see the next point). A piano with wider strings is generally meant for shorter players, and so might seem less forgiving of small mistakes (as long as the player can read and read fast enough while playing the key). If necessary, you might have to work up to a wider strings in order to get the same sound.
2. String height
Most violin bows, especially those with a soft point, also have another advantage, namely that they may work well for violinists playing long strings. Because the string comes down at an angle, as shown in the image below, the bow is often easier to play with longer strings. The longer the strings, the better it can hold the strings of your instrument and the longer it can be held in one breath. So, even if it is a shorter neck, you may want to find an instrument with some long strings (or perhaps a long-neck instrument).
3. Bow material
As shown below in the image, string material can affect its performance. To make this more interesting, here is some more general information.
“Hard” materials (capped and un-capped) are better for the long string that has been played. The strings in the bottom left of the picture are a cap (in this case, D-flex) string, and the string in the top right is a un-capped string. The bottom of the picture shows the difference in string width. As you can see the cap is wider, so it works better for the longer string than the un-capped string. The cap on the right, however, is thinner and will work better for shorter strings (in this case, a D-flex), so there is no advantage to the hard material.
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